Skip to main content

March 2, 1797

 

Horace Walpole (September 24, 1717 to March 2, 1797) was the son of the British prime minister Sir Robert Walpole (1676 to 1745). They were Whigs, and concerned to permanently ensure a limited monarchy in Great Britain. The parliamentary system was not solidified yet in the18th century. Horace kept a copy of the execution orders for the Stuart king, Charles I, on his study wall, to remember an event he called the least bad kind of murder. 

In 1745, with soldiers on the ground intent on retaking the throne for the Stuarts, Horace Walpole saw a picture of his life without the privilege. He wrote

Now comes the Pretender's boy, and promises all my comfortable apartments in the Exchequer and Custom House to some forlorn Irish peer, who chooses to remove his pride and poverty out of some large old unfurnished gallery at St. Germain's [home of the exiled family]. .... [T]his is not pleasant! I shall wonderfully dislike being a loyal sufferer in a threadbare coat, and shivering in an antechamber at Hanover, [ancestral home of the Protestants who assumed the English throne] or reduced to teach Latin and English to the young princes at Copenhagen.

We see in Walpole's career, spanning decades as an author and MP, an argument for inherited privilege. For Walpole was a kind and creative person with a humility which if rare in the rich, is certainly not common in the poor. I wonder if the flowering of his life is not an argument for the benefits of an upper class liberty. Most people of that background may be dopes, but a few flowers could be worth it in a world where true genius is so rare. 

His Whiggish sympathies were a middle ground, and it is not surprising that he found the French Revolution a horror. He wrote on January 29, 1793 to a friend regarding the execution of the French King:

....there is not a word left in my Dictionary that can express what I feel. Savages, barbarians, ...were terms for poor ignorant Indians ...or...for Spaniards in Peru ... or for Enthusiasts of every breed in religious wars. It remained for the enlightened eighteenth century to baffle language and invent horrors that can be found in no vocabulary. What tongue could be prepared to paint a Nation that should avow Atheism, profess Assassination, and practice Massacres on Massacres for four years together: and who, as if they had destroyed God as well as their King, and established Incredulity by law, give no symptoms of repentance! ....

Quite a different kind of loss for Horace Walpole, this specter of disorder, in his last decade of life,  than that of the loss of his cat Selima, in 1747, who drowned trying to catch gold fish, and was immortalized by the great poet, Thomas Gray.

Comments

Popular posts from this blog

August 23, 1941

Onora Sylvia O'Neill (August 23, 1941) is a British thinker. She studied at Oxford and received a doctorate from Harvard. After a noted career, in 1992, she  accepted the post of  Principal of  N ewnham College, Cambridge, and since 2006 she has been Emeritus Professor of Philosophy at Cambridge. Her 1997 paper, "Environmental Values, Anthroporphism, and Speciesism" contains a timely  argument  in which Dr. O'Neill, (she prefers that title to the "Baroness" to which her elevation to the peerage allows) points out inadequacies in the use of the term speciesism to argue against according humans more ethical rights than aspects of the non human world.  A viewpoint that puts " a person torturing a cat is on a par with a cat torturing a bird," is not one she finds supportable. The link is to a downloadable version of this paper.  We have  this picture  of Onora O'Neill, in 2002, at Newnham College: We meet in the Principal's lodge at Ne

August 25, 1990

Watch enough old movies (pandemic anyone) and you can fill in this scene--- businessmen, sex, court corridors. This is the backdrop to a scene from Morley Callaghan's novel, The Man With the Coat , (1955), from which we quote: As a businessman, Singerman might say he couldn’t afford to be associated with an old fighter who was an outcast from a place where the best people went. “I won’t be an outcast,” Mike said so loudly that his own voice in the darkness startled him and he sat up in bed. Then he heard a cat in the lane behind the building. The window was open a few inches. The weeds that bothered his hay fever grew in the lane. Again he heard the cat dragging at the lid of the garbage pail. The lid clattered and rolled and he jumped up, slammed the window shut, then he clenched his big fists with the broken knuckles and stood in a trance for a long time. A more directly biographical account is Morley Callaghan's story of accompanying a lady friend to the coliseum one night,

August 22, 1806

Jean Honoré Fragonard (April 4 1732 to August 22, 1 806) the famous French painter, whose art illustrated the lives of a gilded class, included cats occasionally in his scenes. We have some biographical context from the  National Gallery of Art : 'Fragonard was one of the most prolific of the eighteenth-century painters and draftsmen. Born ... in Grasse in southern France, he moved with his family at an early age to Paris. He first took a position as a clerk, but having demonstrated an interest in art, he worked in the studio of the still life and genre painter Jean Siméon Chardin (French, 1699 - 1779). After spending a short time with Chardin, from whom he probably learned merely the bare rudiments of his craft, he entered the studio of François Boucher ....1703 - 1770). Under Boucher’s tutelage Fragonard’s talent developed rapidly, and he was soon painting decorative pictures and pastoral subjects very close to his master’s style....Although Fragonard apparently never took cour