Skip to main content

August 13, 1823

 A brief glance at the writings of Goldwin Smith (August 13, 1823 to June 7, 1910) suggests his current obscurity is appropriate. Yet at one time he even attracted his own Boswell. 

Goldwin Smith was the Regius professor of modern history at Oxford University from 1858 to 1866. The titles he added to the library include:

The Foundation of the American Colonies, (1861)
Three English statesmen, (1867)
The Ascent of Man (1877 )
False hopes (1883) The United States: an Outline of Political History (1893) 
The United Kingdom: a Political History
 (1899).

and many other books.

Even at the time nobody seemed enthralled by the books Goldwin Smith wrote, and that sadly, was not because of his antisemitism. After moving to the United States,(1868)  and teaching at Cornell, he moved to Toronto in 1871 and there continued a life of active public debate. His views on the decline of books, in 1904,  have a certain piquant interest today:

"The 'pamphlet' seems to have gone quite out of date," he remarked one day as a little letter of his appeared in a New York paper. "If I had said that in a pamphlet or in a book, not a hundred copies would have been sold; whereas, as it is, I suppose it has come under the eyes of thousands. People won't buy or read serious books nowadays, it seems. The newspaper has taken the place of the book. The newspaper contains all that the people want in this age. It was not so formerly. If I had to write for a living I should write for the newspaper—I fancy I could make a good income in London. It does not pay to write books."

Thus Goldwin Smith is quoted by his secretary of later years, Arnold Haultain. (Goldwin Smith, his life and opinions, 1914 ). Haultain addresses the character of Smith in sketching scenes of life at his manor house in Toronto, named, The Grange: 


The Grange was a delightful habitation. To enter its portal was to enter a household of quiet, culture and refinement. Pictures, statuary, old English furniture, greeted your eye on every hand. In the hall and in the drawing-room were copies of paintings beloved of The Grange's master. The four walls of the dining-room were covered with copies of portraits of Cromwellian heroes—also, and naturally very much beloved of the master—that of Cromwell himself held the place of honour over the mantelpiece. To the gentle little lady of the house, his wife, the grim Professor was always impeccably kind, considerate and affectionate. Did she enter the library in the morning, when work was agoing, that work was stopped and a chair was drawn up before the fire. His work, my Chief kept to himself,
.......
By the servants the Chief was adored. The butler— a most lovable and intelligent old Englishman—had been in the house for more than half a century. ...

As for myself, it may seem an incredible assertion, nevertheless I assert it—.... during the whole eighteen years that I sat at Goldwin Smith's elbow, never once did even a shade of irritation or of exasperation cross his brow. That is simple fact. On certain topics we differed as the poles. And he knew it. But, as I say, never did he show against me personally anger or irritation. When I think of how very young and ignorant I was as compared with him, I love my old Chief for this his extreme... long-suffering....


Even so, the impression Goldwin Smith made on others was a subject to which Haultain must give  some thought:


...[H]is coldness in his personal dealings with individual folk, and the warmth of his sympathies with humanity in general, are at once an enigma and a clue. The stranger sees in this cold, tall, reserved, and austere ex-Regius Professor of Modern History at Oxford a human embodiment, dressed in black and with grim face and expression, of pure intellect carried to the utmost, with a necessary abatement of heartfelt personal human sympathy. The friend recognizes the symptoms of a life of seclusion, a life lived apart, amongst books in a library, but an intellect which has busied itself unceasingly and disinterestedly on behalf of all things humanitarian; a warm affection for mankind in the bulk, hidden behind a shy demeanour before mankind in the personal unit.....


Haultain expands: 

.... The annual sum he subscribes to the charities of Toronto is large, very large.  And I have actually heard his voice break with emotion as he recounted some more than extraordinarily horrible incident of poverty or accident or warfare. And yet, at a charities meeting, the iceberg-like manner in which he will hand a cheque to the treasurer is enough to make one misconstrue him. Of course he never goes "slumming." He would not know what on earth to do in the slums..... He came to see me once when I was sick. He sat absolutely silent, and evidently highly distrait, in a chair about two yards from the foot of my bed, and asked banal questions about how I was and when I should be about again. Really, I had to try to put him at his ease by talking about his own affairs and about how soon I should be able to be about again to look after them.


Goldwin Smith originated the much quoted phrase " Above nations, there is humanity",

and:

His sympathy with suffering is intense. To hear him speak of " the 16,000 wounded Dervishes 'agonizing' 'without water' on the field of Omdurman" would move you. He is an active member of the Humane Society; will not allow his horses' tails to be cut, nor permit a bearing-rein; keeps a tap running in his front lawn for thirsty birds; goes to his stables daily and regales his horses on sugar and carrots and turnips, and prides himself on the familiarity with which the cats of the household establishment treat him.

Like Boswell, Haultain was not fond of cats. Like Samuel Johnson, Goldwin Smith shines in this perspective:

These cats really ought to have a proper describer. How many generations of them I have seen I really do not know. They are all mouse-coloured. They sneak into the library, smell about the books, cupboards and steam-pipes, and generally end by jumping up on either the Professor's lap or mine, purring abominably and disturbing audibly, rubbing their noses against our moving pens, walking over the newly-inked paper, sticking up their tails into our nostrils, and generally making nuisances of themselves. They sit on the Professor's arm-chair; they try to sit on his arms, they try to sit in his lap, they push themselves between his face and his book; and they keep up a most noisy purr. They are a nuisance—though I welcome (and I fear encourage) them; they are so ... I was going to say human; well, they like warmth, and stroking, and scratching, and petting, and companionship, and corporeal nearness to vital folk. Often have I written with a cat surreptitiously sitting on my paper watching the point of my pen, with which, too, often enough, I have had to warn it to keep its distance. I have seen the dear old Professor take a hard-bottomed chair rather than disturb a cat which had usurped his soft, comfortable, armed one.

I suppose Goldwin Smith is memorable, but not because of his ideas.

Comments

Popular posts from this blog

August 23, 1941

Onora Sylvia O'Neill (August 23, 1941) is a British thinker. She studied at Oxford and received a doctorate from Harvard. After a noted career, in 1992, she  accepted the post of  Principal of  N ewnham College, Cambridge, and since 2006 she has been Emeritus Professor of Philosophy at Cambridge. Her 1997 paper, "Environmental Values, Anthroporphism, and Speciesism" contains a timely  argument  in which Dr. O'Neill, (she prefers that title to the "Baroness" to which her elevation to the peerage allows) points out inadequacies in the use of the term speciesism to argue against according humans more ethical rights than aspects of the non human world.  A viewpoint that puts " a person torturing a cat is on a par with a cat torturing a bird," is not one she finds supportable. The link is to a downloadable version of this paper.  We have  this picture  of Onora O'Neill, in 2002, at Newnham College: We meet in the Principal's lodge at Ne

August 25, 1990

Watch enough old movies (pandemic anyone) and you can fill in this scene--- businessmen, sex, court corridors. This is the backdrop to a scene from Morley Callaghan's novel, The Man With the Coat , (1955), from which we quote: As a businessman, Singerman might say he couldn’t afford to be associated with an old fighter who was an outcast from a place where the best people went. “I won’t be an outcast,” Mike said so loudly that his own voice in the darkness startled him and he sat up in bed. Then he heard a cat in the lane behind the building. The window was open a few inches. The weeds that bothered his hay fever grew in the lane. Again he heard the cat dragging at the lid of the garbage pail. The lid clattered and rolled and he jumped up, slammed the window shut, then he clenched his big fists with the broken knuckles and stood in a trance for a long time. A more directly biographical account is Morley Callaghan's story of accompanying a lady friend to the coliseum one night,

August 22, 1806

Jean Honoré Fragonard (April 4 1732 to August 22, 1 806) the famous French painter, whose art illustrated the lives of a gilded class, included cats occasionally in his scenes. We have some biographical context from the  National Gallery of Art : 'Fragonard was one of the most prolific of the eighteenth-century painters and draftsmen. Born ... in Grasse in southern France, he moved with his family at an early age to Paris. He first took a position as a clerk, but having demonstrated an interest in art, he worked in the studio of the still life and genre painter Jean Siméon Chardin (French, 1699 - 1779). After spending a short time with Chardin, from whom he probably learned merely the bare rudiments of his craft, he entered the studio of François Boucher ....1703 - 1770). Under Boucher’s tutelage Fragonard’s talent developed rapidly, and he was soon painting decorative pictures and pastoral subjects very close to his master’s style....Although Fragonard apparently never took cour