Skip to main content

March 1, 1880


Lytton Strachey was an integral part of the Bloomsbury that helped define modernism in English literature. According to one resource Yale maintains online, Strachey

.... from 1899 to 1905 ... attended Trinity College at Cambridge, where he met future Bloomsburians Clive Bell, E.M. Forster, Thoby Stephen, and Leonard Woolf. In 1902, he was elected to the Apostles, the secret Cambridge Conversazione Society through which he met G.E. Moore and Bertrand Russell. With Moore’s emphasis on aesthetic experience and personal relations as intellectual support, Strachey promoted the homosexuality that thrived among the Apostles as part of a subversive personal creed....
In the five years after leaving Cambridge, Strachey lived with his family, ....It was in this period that he grew close to Virginia Stephen (later Virginia Woolf) and her sister Vanessa, proving a valuable support for the family after the death of their brother Thoby. In 1908, Strachey even proposed to Virginia, who would later portray him as St. John Hirst in 
The Voyage Out (1915). ...
The 
[first world] war was an important influence on Eminent Victorians (1918), the work for which Strachey is best known. The book presents brief life histories of four Victorian icons: Cardinal Manning, Florence Nightingale, Dr. Thomas Arnold, and General Gordon. Strachey had been impressed by the “strange power of ridicule” that he found in the prose of Dostoevesky, and in Eminent Victorians his tone is mischievously satirical as he exposes the generational hypocrisies that he felt had led to the war.

Lytton Strachey (March 1, 1880 to January 21 1932) later lived in a country cottage 
with few amenities, near Hungerford, Berkshire. He lived there with two devoted friends, Dora Carrington and Ralph Partridge. According to a recent biography, his daily routine might include reading aloud, sometimes from his own manuscripts, or favorite books, in the evening. The three friends would be seated around a fire, a circle which included Tiber the cat. 

Such is the Victorian picture Holroyd conveys in Lytton Strachey: The New Biography (2005). There may not be a modern, cyber, equivalent now to such a cozy gathering of friends. 


Comments

Popular posts from this blog

August 23, 1941

Onora Sylvia O'Neill (August 23, 1941) is a British thinker. She studied at Oxford and received a doctorate from Harvard. After a noted career, in 1992, she  accepted the post of  Principal of  N ewnham College, Cambridge, and since 2006 she has been Emeritus Professor of Philosophy at Cambridge. Her 1997 paper, "Environmental Values, Anthroporphism, and Speciesism" contains a timely  argument  in which Dr. O'Neill, (she prefers that title to the "Baroness" to which her elevation to the peerage allows) points out inadequacies in the use of the term speciesism to argue against according humans more ethical rights than aspects of the non human world.  A viewpoint that puts " a person torturing a cat is on a par with a cat torturing a bird," is not one she finds supportable. The link is to a downloadable version of this paper.  We have  this picture  of Onora O'Neill, in 2002, at Newnham College: We meet in the Principal's lodge at Ne

August 22, 1806

Jean Honoré Fragonard (April 4 1732 to August 22, 1 806) the famous French painter, whose art illustrated the lives of a gilded class, included cats occasionally in his scenes. We have some biographical context from the  National Gallery of Art : 'Fragonard was one of the most prolific of the eighteenth-century painters and draftsmen. Born ... in Grasse in southern France, he moved with his family at an early age to Paris. He first took a position as a clerk, but having demonstrated an interest in art, he worked in the studio of the still life and genre painter Jean Siméon Chardin (French, 1699 - 1779). After spending a short time with Chardin, from whom he probably learned merely the bare rudiments of his craft, he entered the studio of François Boucher ....1703 - 1770). Under Boucher’s tutelage Fragonard’s talent developed rapidly, and he was soon painting decorative pictures and pastoral subjects very close to his master’s style....Although Fragonard apparently never took cour

August 25, 1990

Watch enough old movies (pandemic anyone) and you can fill in this scene--- businessmen, sex, court corridors. This is the backdrop to a scene from Morley Callaghan's novel, The Man With the Coat , (1955), from which we quote: As a businessman, Singerman might say he couldn’t afford to be associated with an old fighter who was an outcast from a place where the best people went. “I won’t be an outcast,” Mike said so loudly that his own voice in the darkness startled him and he sat up in bed. Then he heard a cat in the lane behind the building. The window was open a few inches. The weeds that bothered his hay fever grew in the lane. Again he heard the cat dragging at the lid of the garbage pail. The lid clattered and rolled and he jumped up, slammed the window shut, then he clenched his big fists with the broken knuckles and stood in a trance for a long time. A more directly biographical account is Morley Callaghan's story of accompanying a lady friend to the coliseum one night,